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Canon C500 Reviews and Canon C500 4K MXF Solutions

Canon C500 Reviews and Canon C500 4K MXF Solutions

Canon has officially announced the EOS C500, the professional 4K video camera output that it promised at the NAB trade show in April. The EOS C500, the CN-E15.5-47mm T2.8 L S/SP and the CN-E30-105mm T2.8 L S/SP join the new EOS C100 and ground-breaking EOS C300 in creating Canon’s strongest ever line-up, offering outstanding quality and performance in a range of different configurations.

The C500 has a long way to go before it gets a shipping nod — it may not even make it to market in 2012. The $30,000 price tag may pose an even greater barrier to entry than its to-be-announced availability date, however, and may in need of some tweaking before it’s ready to compete with already established models, like the much less expensive RED Scarlet. Like the 1D C, the C500 can shoot 4K video — the most apparent upgrade from the $16,000 C300.

Canon C500 4K Cinema Camera comes with 8.8 Mp super 35mm CMOS sensor, 10-Bit 4K RAW at up to 60p EF Lens Mount for broad compatibility, ability of capturing 2K footage (2,048 x 1,080 pixels) at 12-bit, full 4K RAW output of up to 4096 x 2160 pixels, etc.

4K Raw footage is usually in large size, thus, to do extension editing to it on FCPX calls for a computer equipped with high quality configurations, or, the process will be time and processor-heavy, making the conversion fairly taxing.

Apple’s Final Cut Pro X, the dominant choice of many users, can tackle the 4K footages; however, this well-known editor fails to work well with the 4K MXF Raw footages as expected. In order to edit C500 4K Raw in FCPX in a quick and seamless way, the ideal alternative way is to convert 4K Raw to ProRes using 4K Video Converter for Mac.

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